Beat Match City

Made with Logic Pro at 72 bpm My favorite part of this little clip - when you hear the string of low-pitched 'yeah's in Pony, and then travis scott chimes in at the end with a little 'yeah' of his own. Always fun when you can make the lyrics/vocals from two different songs line up into something interesting. Further confirmation that Pony can fit in with just about anything on this playlist . Listen to the full episode here: mix #56

Made with Logic Pro at 93 bpm I'm sure someone somewhere has mixed these two together. And with good reason - it's a no-brainer to stack two throwback classics that even the young people recognize. The drums for Creep can be a little tricky to beatmatch perfectly, so you can see I did a little surgery in certain spots. Sounds good in the end, and I highly recommend you try this in your next 90s mix. Listen to the full episode here: mix #78

Made with Logic Pro at 93 bpm Simple transition - the heavy drums in Flames cut out, so we slipped in the percussion-only intro from I'm Ready For You. Fit like a hand in glove; adds a fun little trap flavor to switch up the pace and sets up the next few minutes of the mix. Listen to the full episode here: mix #78

Made with Logic Pro at 93 bpm Is this how the intro to I Feel It Coming sounds on psychedelics? Most likely. Whoever made the beat for Somethin Tells Me was either on something, or tapping into the memory of being on something. Untraditionally harmonic; the more I listen to the transition, the more I like it. Listen to the full episode here: mix #78

Made with Logic Pro at 82 bpm Clip from mix #69 - two big beats on top of each other, which I could've done a better job adjusting for a cleaner sound. But if you listen to the actual mix, the transition sounds smooth; my goal for this video was to create a loop that feels like the first draft of a mashup/remix. Worth building on for a future project. Key- and bpm-compatible playlist

Made with Logic Pro at 113 bpm Clip from mix #76 - the drums for You Owe Me and Down Hill were surprisingly tricky to get an exact beatmatch for. Cycled through a number of tracks from this playlist before we settled on The Weeknd's After Hours , using the opening instrumental about 2:12 to 2:29 into the song. I especially liked how it sounded over Down Hill; that could be an interesting mashup to make in the future. Key- and bpm-compatible playlist